1. On this Friday, October 9th, he noted his arrival at Suez, and observed that he had as yet neither gained nor lost. He sat down quietly to breakfast in his cabin, never once thinking of inspecting the town, being one of those Englishmen who are wont to see foreign countries through the eyes of their domestics.

    - Jules Verne, Around the World in 80 Days (1873) [full text]

     
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    COMMENT EST MORT M. GABRIEL SYVETON? La position dans laquelle a été retrouvé le corps, reconstituée avec l’aide de Mme Syveton, devant M. Boucard, juge d’instruction, et les experts.
- L’Illustration, 14th January (1905) [full text]

    COMMENT EST MORT M. GABRIEL SYVETON?
    La position dans laquelle a été retrouvé le corps, reconstituée avec l’aide de Mme Syveton, devant M. Boucard, juge d’instruction, et les experts.

    - L’Illustration, 14th January (1905) [full text]

     
  3. Il y avait une fois quatre petits lapins qui  s’appelaient—     
Flopsaut,Trotsaut,Queue-de-Coton,et Pierre.
- Beatrix Potter, Histoire de Pierre Lapin (1902) [full text] [English]

    Il y avait une fois quatre petits lapins qui s’appelaient—

    Flopsaut,
    Trotsaut,
    Queue-de-Coton,
    et Pierre.

    - Beatrix Potter, Histoire de Pierre Lapin (1902) [full text] [English]

     
  4. The Opera ghost really existed. He was not, as was long believed, a creature of the imagination of the artists, the superstition of the managers, or a product of the absurd and impressionable brains of the young ladies of the ballet, their mothers, the box-keepers, the cloak-room attendants or the concierge.

    - Gaston Leroux, The Phantom of the Opera (1910) [full text]

     
  5. I feel that there is much to be said for the Celtic belief that the souls of those whom we have lost are held captive in some inferior being, in an animal, in a plant, in some inanimate object, and so effectively lost to us until the day (which to many never comes) when we happen to pass by the tree or to obtain possession of the object which forms their prison. Then they start and tremble, they call us by our name, and as soon as we have recognised their voice the spell is broken. We have delivered them: they have overcome death and return to share our life.

    And so it is with our own past. It is a labour in vain to attempt to recapture it: all the efforts of our intellect must prove futile. The past is hidden somewhere outside the realm, beyond the reach of intellect, in some material object (in the sensation which that material object will give us) which we do not suspect. And as for that object, it depends on chance whether we come upon it or not before we ourselves must die.

    - Marcel Proust, À la recherche du temps perdu (Remembrance of Things Past), vol. 1 (1913) [full text]

     
  6. There is always after the death of anyone a kind of stupefaction; so difficult is it to grasp this advent of nothingness and to resign ourselves to believe in it.

    - Gustave Flaubert, Madame Bovary (1857) [full text]

     
  7. “Don’t be ridiculous, Monsieur Jean. No woman can love a man who is ridiculous. Jamais!”
- Charles Theodore Murray, Mlle. Fouchette (1902) [full text]

    “Don’t be ridiculous, Monsieur Jean. No woman can love a man who is ridiculous. Jamais!”

    - Charles Theodore Murray, Mlle. Fouchette (1902) [full text]

     
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    - Jules Lemaître, ABC (1919) illustrated by Job [full text]

    - Jules Lemaître, ABC (1919) illustrated by Job [full text]

     
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    I had remarked that Madame de Pompadour for some days had taken chocolate, ‘a triple vanille et ambre’, at her breakfast…
- Mme. du Hausset, Memoirs of the Courts of Louis XV and XVI: Being the Secret Memoirs of Madame Du Hausset, lady’s maid to Madame de Pompadour, and of the Princess Lamballe (c.1800) [full text]

    I had remarked that Madame de Pompadour for some days had taken chocolate, ‘a triple vanille et ambre’, at her breakfast…

    - Mme. du Hausset, Memoirs of the Courts of Louis XV and XVI: Being the Secret Memoirs of Madame Du Hausset, lady’s maid to Madame de Pompadour, and of the Princess Lamballe (c.1800) [full text]

     
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    The monks knew not, in that extremity, to which of all their saints they should vow themselves.
- François Rabelais, Gargantua and Pantagruel (1532) illustrated by Gustave Doré in 1894 [full text]

    The monks knew not, in that extremity, to which of all their saints they should vow themselves.

    - François Rabelais, Gargantua and Pantagruel (1532) illustrated by Gustave Doré in 1894 [full text]

     
  11. DEDICATION

    To Mademoiselle Anna Hanska:

    Dear Child,—You, the joy of the household, you, whose pink or white pelerine flutters in summer among the groves of Wierzschovnia like a will-o’-the-wisp, followed by the tender eyes of your father and your mother,—how can I dedicate to you a story full of melancholy? And yet, ought not sorrows to be spoken of to a young girl idolized as you are, since the day may come when your sweet hands will be called to minister to them? It is so difficult, Anna, to find in the history of our manners and morals a subject that is worthy of your eyes, that no choice has been left me; but perhaps you will be made to feel how fortunate your fate is when you read the story sent to you by

    Your old friend, de Balzac.

    - Honoré de Balzac, Pierrette (1840) [full text]